The
North Aisle of Grinton Church, Swaledale |
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The North-East corner of the church taken from
the nave, showing two of the pillars and arches of the north aisle. These
arches are higher and the pillars are both wider and taller than those
in the older south aisle.
The north aisle was added in the 15th century and rebuilt wider in the
late 16th century. Four of the windows were re-used in this rebuild. |
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The West window of the North Aisle.
The first pane shows an angel and 'Faith in God'.
The second is of a small child and 'Innocence. Trust in God'.
The middle shows an angel and 'Charity. Love to all Men'.
The fourth shows a kneeling man and 'Reverence. With Gratitude to God'.
The fifth shows an angel and 'Hope. For the Future'.
The brass below reads: To the glory of God and in loving memory of dear
ones gone before. This window was placed in this the Mother Church of
Swaledale. By Captain Francis Horner Lyell. Lord of the Manors of Healaugh
Old Land. Healaugh New Land and of Muker. AD 1897. |
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The former North door, possibly used by
the monks from Bridlington Priory who resided in part of what is now Blackburn
Hall.
The British Legion standards may be seen here. |
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On the left of the former North door are
two wall plaques.
The upper 'Mary dau. Jonathan & Mary Scott of
Reeth 1837'.
The lower 'Rev Thomas Edmondson XXIII years 1822'. |
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The former North door is now filled with
the war memorial window.
The figures are David, Saint George and Jonathan.
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Below the war memorial window are two
brass plaques commemorating the fallen of the two World Wars (show
below).
On the left is an area for reading and private prayer.
On the right is the broken stoup besides the former North door.
(A stoup was a holder for holy water so people entering
the church could cross themselves. Many stoups were destroyed at the
time of the Reformation.) |
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The upper brass reads:
'The above window is erected to the honour and memory of those men of
this parish whose names follow and who, loving not their lives unto death
fell in the service of their country, in the Great War 1914-1918.'
There follows 19 names, listed here.
'To the living - Gratitude. For the Dead - Remembrance. For Posterity -
Imitation.'
The lower brass reads: 'The electric organ blower was
installed in grateful memory of the men of this parish who gave their
lives in the war 1939-45.'
There follows 8 names, listed here. |
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The damaged stoup for holy water besides
the former North door. |
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The Thomas Peacock monument. This was originally
on the immediate left of the present position of the pulpit. It was moved
during the 1897 restoration of the church and thus the doorway to the Rood
screen was revealed. |
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The inscription reads: In memory of Thomas
Peacock of Marrick who died December IV MDCCLXII aged CII years and Dorothy
his wife who died December VI MDCCX aged years.
Note that the engraver didn't know her age and left a
space for it, but it was never completed! |
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The Barker window. It portrays, presumably,
Jesus holding an infant in his arms and surrounded by other figures.
The inscription reads: ' To the Glory of God and in
memory of Ancestors buried in this Church this window is given by John
Barker AD 1895' |
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The memorial stone in
the floor reads: 'ANN BARKER DAVGHTER TO ADAM ANN ELLEN BARKER DEPARTED
THIS LIFE JANUARY THE 17 1692.' (All the 'N's are reversed.)
To protect the wool trade, at that time is was the law that bodies had
to be buried in wool. Ann was buried in linen. Adam Barker of Level House,
Old Gang was fined £5 by the High Sheriff of Grinton. Half of the fine
went to the poor of the parish and the other half to Ralph Elliott who
informed on Adam. ‡ep128 |
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The memorial stone in the
floor reads: 'Here lyes interd the body of Adam Barker who departed this
life at Park Hall August the 27 as also the body of Sarah his daughter,
who likewise departed this life June the 24. Anno Salutis 1701 |
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The Swale family wall plaque. |
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The window probably showing the Virgin Mary. |
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This window is made up from various pieces
of medieval glass. Although one piece show a torture wheel which suggests
the figure is possibly St Catherine, the crown makes it more likely that
the figure is the Virgin Mary. ‡pb |
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This floor monument is very worn and difficult
to read. My best effort follows. I have used italics for guesses (they
don't make sense) and / to mark new lines.
Here / lies the body / of Mary the Daugh / tor
of Thomas Margillel / Birkbeck who departed / this life at
Thornton Rust / May 1 1812 agen 6 Years / Short was niv (her?)
Stay on Earth. / Long Time must lie niv Rest. / The Lord give
me il all / When lie ??? ??? ??? |
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The double-sided Royal Arms of William
III & Mary II(1689-1702), dated 1693. This originally hung at the top
of the Chancel arch. It was usual for the congregation to be reminded
who was king! The other side usually had the Arms of the bishop to remind
the priest who was in charge! However, because at the Reformation Bridlington
Priory had been taken by the crown, Grinton Church belonged to the king.
In fact, the coat of arms is wrong. When William came to the throne
he added the Dutch escutcheon of Nassau, a golden lion on blue, to the
centre of the Arms. This is missing. It has been suggested (tongue in
cheek) that this was deliberate by a Roman Catholic painter showing his
displeasure of the Protestant favouring King William. ‡pm
Click here to
see the correct coat of arms. Please use your browser back button to
return to this page. |
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The East window of the North Aisle. This
area behind the present organ, now the vestry, used to be the Swale family
chapel. The otherwise plain glass window has this small shield of their
coat of arms. |
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At the East end between the North aisle
and the Chancel is this small former vestry or chantry chapel with its
arched stone roof.
The candle style light shows the Holy Sacrament is kept here in the
aumbrey. This is so the vicar can take the bread & wine to the sick and
others unable to attend the Holy Communion. |
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The church before the Victorian restoration
in the late 1890s.
The box pews and their oil lamps may be seen.
The Peacock Monument is
in its original position alongside the pulpit where it was hiding the
doorway to the former rood screen.
The remaining plaster covering the walls was removed and the exposed
stonework re-pointed. There are still very small fragments of the ancient
painted plasterwork on the Chancel side of the centre North aisle arches. |
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A photograph of the Church, I guess taken
about the same time. It was taken from the hillside to the South behind
the old corn mill which was demolished in the early 1950s. |
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The
Wedding Rug. Heather Ritchie designed and hooked this rag rug to celebrate
her mother's life. It is for the wedding couple to stand on at the chancel
steps. |